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  • 1995-1999  (5)
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  • 1
    Digitale Medien
    Digitale Medien
    Catastrophic optical damage in GaInN multiple quantum wells (1998)
    Woodbury, NY : American Institute of Physics (AIP)
    Applied Physics Letters 72 (1998), S. 3267-3269 
    Details
    ISSN: 1077-3118
    Quelle: AIP Digital Archive
    Thema: Physik
    Notizen: We have observed progressive damage due to reabsorption of stimulated emission in optically pumped laser-quality GaInN–GaN multiple quantum wells. The degradation occurred on a time scale consistent with the lifetime of electrically pumped lasers incorporating the same active region, suggesting that the failure mechanism was in part catastrophic optical damage, and not just heating in the p contact and p cladding as is often assumed. © 1998 American Institute of Physics.
    Materialart: Digitale Medien
    URL: http://dx.doi.org/10.1063/1.121619
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  • 2
    Digitale Medien
    Digitale Medien
    The Canon Photography Gallery at the V&A (1998)
    Oxford, UK and Boston, USA : Blackwell Publishers Ltd.
    The @art book 5 (1998), S. 0 
    Details
    ISSN: 1467-8357
    Quelle: Blackwell Publishing Journal Backfiles 1879-2005
    Thema: Kunstgeschichte
    Notizen: Mark Haworth-Booth, Photography: An Independent Art, photographs from the Vicroria & Albert Museum 1839–1996
    Materialart: Digitale Medien
    URL: http://dx.doi.org/10.1111/1467-8357.00107
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  • 3
    Digitale Medien
    Digitale Medien
    Die Blendung as a Negative Poetics: Positivism, Nihilism, Fascism (1999)
    Oxford, UK : Blackwell Publishing Ltd
    Orbis litterarum 54 (1999), S. 0 
    Details
    ISSN: 1600-0730
    Quelle: Blackwell Publishing Journal Backfiles 1879-2005
    Thema: Allgemeine und vergleichende Sprach- und Literaturwissenschaft. Indogermanistik. Außereuropäische Sprachen und Literaturen
    Notizen: In his representation of a fragmented society and his critique of the positivist scholar Peter Kien, Canetti develops a negative poetics: he shows what the poet should not be and what he should work against. This paves the way for a better understanding of Masse und Macht. Canetti's poetics in many respects resembles the image of the poet as advanced by his friend, the Oxford anthropologist Franz Baermann Steiner. Steiner did not separate his scholarly pursuits from social issues and his literary work. This connection between scholarship and a literary mode of writing constitutes the style and methodology of Masse und Macht and offers a striking contrast to Kien's positivism.
    Materialart: Digitale Medien
    URL: http://dx.doi.org/10.1111/j.1600-0730.1999.tb01945.x
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  • 4
    Digitale Medien
    Digitale Medien
    Minimally Invasive Direct Coronary Artery Bypass: Technical Considerations and Instrumentation (1998)
    Oxford, UK : Blackwell Publishing Ltd
    Journal of cardiac surgery 13 (1998), S. 0 
    Details
    ISSN: 1540-8191
    Quelle: Blackwell Publishing Journal Backfiles 1879-2005
    Thema: Medizin
    Notizen: Abstract Minimally invasive coronary artery bypass is defined as any maneuver or modification of conventional coronary bypass that decreases adverse effects. These adverse effects fall into three broad categories, which are access trauma, consequences of cardiopulmonary bypass, and aortic manipulation. In the minimally invasive direct coronary artery bypass (MIDCAB) approach, coronary revascularization is performed via a limited access incision, usually a left anterior thoracotomy, through which a left internal mammary artery is anastomosed under direct vision to the left anterior descending artery on a stabilized beating heart. Harvest of the left internal mammary artery can be performed with video assistance (two- or three-dimensional or under direct vision). A variety of offset chest wall retractors that allow internal mammary artery harvest under direct vision have simplified the procedure, and several mechanical stabilization devices (with or without suction) allow local wall immobilization for a target vessel anastomosis. Graft patency data from early series of stabilized MIDCAB procedures and published series of left internal mammary artery graft patency with conventional bypass grafting appear to be comparable. Current indications for MIDCAB include restenosis of the left anterior descending artery after catheter-based therapy and the necessity for target vessel revascularization in elderly high-risk patients with multivessel disease. Limitations of the MIDCAB procedure include mostly single vessel revascularization of the anterior aspect of the heart. (J Card Surg 1998;13:290–296)
    Materialart: Digitale Medien
    URL: http://dx.doi.org/10.1111/j.1540-8191.1998.tb01071.x
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  • 5
    Digitale Medien
    Digitale Medien
    Literature and Theory: Siegfried Kracauer's Law, Walter Benjamin's Allegory and G. K. Chesterton's The Innocence of Father Brown (1999)
    Oxford, UK : Blackwell Publishing Ltd
    Orbis litterarum 54 (1999), S. 0 
    Details
    ISSN: 1600-0730
    Quelle: Blackwell Publishing Journal Backfiles 1879-2005
    Thema: Allgemeine und vergleichende Sprach- und Literaturwissenschaft. Indogermanistik. Außereuropäische Sprachen und Literaturen
    Notizen: In this article I read Kracauer's Der Detektiv-Roman. Ein Philoso-phisches Fragment as a critical response to both Walter Benjamin's evaluation of allegory and to his intense messianism and the concomitant rejection of the theory and practice of law. Kracauer contrasts the detective not with a Benjaminian allegorical reader but with the priest. I shall follow up Kracauer's references to G.K. Chesterton's The Innocence of Father Brown and discuss the latter as the main narrative subtext for the theory advanced in Der Detektiv-Roman. Like Kracauer, Chesterton contrasts the detective as a representative of absolutized and instrumentalized reason with the priest as representative of critical intelligence and charitable action. In his critique of modernity Chesterton focuses on charity, whereas Kracauer evaluates Jewish law. The biblical background of such contrast between the glorification of an instrumen-talised rationality and a ceaseless questioning of the ethical validity of reason out of an awareness of human frailty unites these two differing criticisms of modern society. The intertextuality of Kracauer's Der Detektiv-Roman and Chesterton's The Innocence of Father Brown points to the reciprocity between law and charity.
    Materialart: Digitale Medien
    URL: http://dx.doi.org/10.1111/j.1600-0730.1999.tb00295.x
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