REFERENCES
Culler, Jonathan (1982). On Deconstruction. Ithaca, New York: Cornell Univ. Press.
Delaney, Paul (1990). Tom Stoppard. London: Macmillan.
Egri, Péter (1996). Modern Games with Renaissance Forms. Budapest: Akadémiai Kiadó.
Gadamer, Hans-Georg (1984). Igazság és módszer [Truth and Method.] Budapest: Gondolat.
Kálmán, György C. (1998). “Elméletalkotói közösségek.” [“Communities creating theories.”] Irodalom, nyelv, kultúra [Literature, language, culture.] Pécs: Jelenkor.
Kelly, Katherine E. (1991). Tom Stoppard and the Craft of Comedy. Ann Arbor: The Univ. of Michigan Press.
Rorty, Richard (1991). Essays on Heidegger and Others. Cambridge: Cambridge Univ. Press.
Rusinko, Susan (1989). British Drama. 1950 to the Present. Boston: Twayne Publishers.
Singh, Simon (1997). Fermat's Enigma. New York: Walker and Company.
Stoppard, Tom (1993). Arcadia. London: Faber and Faber.
Stoppard, Tom (1979). Jumpers. London: Faber and Faber.
Stoppard, Tom (1996). Plays 1. London: Faber and Faber.
Stoppard, Tom (1981). Rosencrantz and Guildenstern are Dead. In: Nine Plays of the Modern Theater. Ed. Harold Clurman. New York: Grove Press.
Author information
Authors and Affiliations
Rights and permissions
About this article
Cite this article
Müller, P.P. Stoppard's Theories. Neohelicon 27, 119–126 (2000). https://doi.org/10.1023/A:1007115912831
Issue Date:
DOI: https://doi.org/10.1023/A:1007115912831